Updated: Oct 26, 2020
The Creativity for All podcast is an exploration of the origin of creativity. With each guest I interview every two episodes, we discuss what it means to be creative in their daily life, zooming in on the mechanics behind their creativity and debunking myths, wherever possible, to show you that you too can be creative on a daily basis, that you don’t have to be an artist to be creative. My hope is to show you that creativity is everywhere and to inspire you to tap into your own creative potential.
My guest is Jesse Fox. Jesse is an actor, director and theatre-maker based in London. He trained on the Collaborative and Devised Theatre BA Acting course at the Royal Central School of Speech and Drama, where he’s now a regular Visiting Lecturer.
Jesse is the co-founder of the devised theatre company, Engineer Theatre Collective, which creates stories based on interview-led research processes, through highly collective working methods, using actor improvisation as a means of creating text, and a strong emphasis on design elements, such as sound and lighting.
The company has twice been nominated for Best Ensemble at the OffWestEnd Awards, and Jesse, himself, was twice nominated for Best Director. The work of Engineer Theatre Collective has been reviewed and featured in numerous prominent publications, such as The Times, The Guardian and The New Yorker.
As a freelance actor, he has worked for the BBC and ITV and, in 2019, was one of the three lead roles in the play ‘Afterglow’ at the Southwark Playhouse. In 2021, Covid permitting, he will take on the lead roles in ‘Cat on a Hot Tin Roof’ and ‘Sense and Sensibility’ for the Pitlochry Festival Theatre summer season.
For someone who doesn’t see himself as 'unusually creative', Jesse Fox certainly has a clear take on the creative process of bringing both a part and a play to life! He describes the various stages of unlocking the script, figuring out the pace, rhythm, and cadence, as well as the character’s motivations, linking in the process mind, body, and imagination. To him, acting is a highly relational process, which allows him to engage with the world and reflect it back to the audience.
Debunking many myths, such as acting is showing emotions and pretend, and there’s one way to prepare for a part, or that directors have all the answers, Jesse gives us a vivid insight of what it means, as an ensemble, to generate, shape, and perform stories. He explains why placing and passing the focus on stage is key and describes the highly collaborative and satisfying creative process of prodding and wrestling with a text, so that what emerges, when the performance begins, is ultimately greater than its parts.
I cannot wait to see his future productions and performances and hope you will enjoy his interview.